SHIRLEY HUGE ESTSHIRLEY
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SHIRLEY HUGE EST
PAGE 1
PANEL 1 ACROSS PAGE
EXT. WINDMILL IN THE CENTER OF UNTILLED FIELDS -
BIRD'S EYE VIEW - DAY
A young weasel girl SHIRLEY dances in her underwear on top of a stone
wall, while a group of assorted boy furrs clap. An older weasel URIAH
in black pants, held up by suspenders and a stiff white shirt runs
towards them from the mill. Some of the boys have seen Uriah and are
running off in non anthro form.
SHIRLEY AND BOYS
(singing)
"Louie Lou eyes, oh baby we gots ta
go..."
PANEL 2
EXT. STONE WALL - CLOSE SHOT - DAY
URIAH has Shirley by the arm and is yelling at her. Two sandwiches
rest on the wall.
URIAH
What did you think you were doing young
lady?
SHIRLEY
The boys promised to give me samichies
if I did a dance for 'em. You took away
my lunch when I sassed you.
URIAH
Woodshed NOW!
PANEL 3
INT. WOODSHED - MEDIUM SHOT - DAY
Shirley is draped over Uriah's knee looking scared. Uriah with a hand
in the air, has a strangely aroused expression. Some fumes are
wafting from Shirley.
URIAH
Maybe I can smack some modesty into
you. UMMM?
SHIRLEY
Yes, papa.
SHIRLEY (CONT'D)
(thinks)
Why'd he stop?
URIAH
Stand up missy.
PANEL 4
INT. WOODSHED - MEDUIM SHOT - DAY
Shirley sits on a woodpile in the closed shed with a big book.
URIAH
You'll stay in there till you learn
proper behavior. Read from THE BOOK OF
THE ONE. It will inspire you to be more
pious.
NARRATOR
From that day Uriah never touched his
daughter in anger or joy.
PANEL 5
EXT. GOODNESS MILLS BACK DOOR - NIGHT
A teenage Shirley with a small bag closes the back-door of her home.
SHIRLEY
(softly)
There's no love here. Pop won't even
come near me and sometimes those funny
looks he gives me...
PAGE 2
PANEL 1
EXT. SOUTH BASTON - BACK STREET -- NIGHT
Narrow cobblestone street with old brownstones in bad repair. Dim
light in one upper window.
PANEL 2
INT. SOUTH BASTON - GANGS CRIB - CLOSE SHOT- NIGHT
In a big filthy room, Shirley wrapped in a tattered blanket reclines
on a lumpy mattress. A ferret guy sits next to her pulling on her
blanket.
FERRET
Oym next love come on let's go.
SHIRLEY
Not again. I need some sleep.
FERRET
We all got to contribute. You can't
steal, so it's sex or the street.
PANEL 3
INT. SOUTH BASTON - GANGS CRIB - MEDIUM SHOT- NIGHT
The ferret takes Shirley from behind while she blows an Otter. Near
by a girl genet watches.
OTTER
Ok switch I'm hard enough.
FERRET
I ain't done yet...
OTTER
I want her NOW!
SHIRLEY
(thinks)
They'll start a fight and I can sleep.
GENET
You know I'm here too.
PANEL 4
EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT- DAY
Shirley (somewhat modestly dressed) Plays with the coat buttons on a
well dressed Lion while the ferret picks his pocket. The lion is
looking down her blouse. The store they're in front of has a sign
that reads
"MADAME FYANG'S TALENTS UNCOVERED"
SHIRLEY
If you'll buy a girl a bit o' sweets
she'd be showing you some o' her sweets
if you take my meaning...
LION
That does sound sweet...
What's This?
PANEL 5
EXT. SOUTH BASTON - HIGH STREET - WIDE SHOT - DAY
Shirley and the ferret as full sable and ferret (non anthro) run off
with the lion's wallet pursued by him.
PANEL 6
EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT-
EVENING
Shirley is walking into MADAME Fyang's as Harvey (white rabbit in a
leisure suit) exits. Harvey seems brighter than his surroundings.
HARVEY
Excuse me ma'am let me hold the door
for you.
SHIRLEY
Why thank you kindly sir.
PAGE 3
PANEL 1
INT. MADAME FYANG'S - MEDIUM SHOT- NIGHT
In a smoke filled room filled with incense burners and lacquered
furniture, Madame FYRY Fyang (a black-footed ferret) holds Shirley's
hand and looks her in the eyes.
FYRY
Your talent seems to be pheromone
control. You can ex-e-ude a scent that
drives-ah men mad with lust. Women too,
This one is excited by your presence.
PANEL 2
INT. MADAME FYANG'S - CLOSE SHOT - NIGHT
Just heads
SHIRLEY
That explains a lot. Why my dad
acted... Why the boys fight... What can
I do?
FYRY
My Master The Black Dragon has a school
in Lin Nai. We could train you. It
costs much. You have?
SHIRLEY
No...Could we work out another form of
payment?
FYRY
May just be. This one work very close
with you...
PANEL 3
INT. SOUTH BASTON - GANGS CRIB - MEDUIM SHOT- DAY
Ferret and otter sit on the 'bed'. Genet has her head in otters lap
and her hand on the ferret's dick.
FERRET
You know mate that bit of weasel fluff
ain't the same kick no more.
OTTER
Yeah. Know what ya mean. We oughta sell
her to offworld slavers.
GENET
You know! I'm here too.
PANEL 4
INT. FYRY'S BEDROOM - CLOSE SHOT - NIGHT
Simply furnished room on upper floor of store. One lamp, one incense
burner, a low black lacquered table next to a futon. Fyry kneels on
her futon brushing Shirley's hair. Both are naked and freshly bathed.
FYRY
You have learned control. Men do not
lust after you on street?
SHIRLEY
No more than normal.
FYRY
We see now.
PANEL 5
INT. FYRY'S BEDROOM - CLOSE UP - NIGHT
A knife blade in the brush handle is an inch away from Shirley's eye.
PANEL 6
EXT. FYRY'S BEDROOM WINDOW - CLOSE SHOT - NIGHT
Fyry in a silk robe looks out.
FYRY
All furrs on street stare up here. Look
excited. More work needed.
PANEL 7
EXT. BACKSTREET NEAR GANG'S CRIB - MEDIUM SHOT-
MORNING
Genet is holding out a coin purse to Shirley. Little sparks fly up
from her other hand. In a second floor window ferret, otter and
another are silhouetted.
GENET
Here take this and get out. They plan
to sell your ass.
SHIRLEY
Why?
GENET
My only talent is sparks. I kind of
liked you before. No one deserves
slavery...
SHIRLEY
That's the most you ever said to me.
Get out when you can.
PANEL 8
EXT. CROSSROADS IN THE COUNTRY - MEDIUM SHOT- DAY
Shirley stands where two roads meet. A sign post points back where
she came from west says "South Baston 3" another north says "Lynden
10 North Baston 20" and yet another east says " Hordes 7" Lin Nai 50"
and south "BD Lair? Goshen 45 Duffy's Tavern ½"
SHIRLEY
BD? ...Black Dragon! Not that way.
Towns? Nope. A tavern. Maybe a job?
PAGE 4
PANEL 1
EXT. DUFFY'S TAVERN - WIDE SHOT - SUNDOWN
Duffy a jackal is welcoming guests as they debark from a coach.
Shirley waits by the door with a leaflet in her hand.
PANEL 2
INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- LAMP
AND CANDLE LIT.
Duffy eyes Shirley hungrily as she hands him his flier. He points at
the tables in the bar.
SHIRLEY
Would ya be needing any more bar or
chamber maids sir?
DUFFY
Youse looking for a position huh? Well
let's see what you can do. Serve them
tables and then see me upstairs. Third
door on da right.
SHIRLEY
Right on it boss.
PANEL 3
INT. DUFFY'S OFFICE - CLOSE SHOT - CANDLE LIT
Duffy sits on the edge of a roll-top desk pants around his ankles.
Shirley in only panties kneels at Duffy's feet licking spooge off her
muzzle.
SHIRLEY
Do I get the job? Boss?
DUFFY
Round here you'll get as good as you
give.
SHIRLEY
I'm not a whore...
DUFFY
Keep me happy and flirt wid da patrons
dat's all
PANEL 4
INT DUFFY'S TAVERN BARROOM -MEDUIM SHOT - NIGHT
Shirley in a St Pauly girl outfit serves NADIA MERCY a mink. There's
a slight resemblance but Nadia is older and better groomed. At
another table Harvey sits.
NADIA MERCY
You are also a mink, no?
SHIRLEY
Sable, my lady. Is your drink...
NADIA MERCY
Would you like a job.
SHIRLEY
I have a job, but my lady is most kind.
PANEL 5
INT DUFFY'S TAVERN BARROOM - CLOSE SHOT - NIGHT
Nadia pulls Shirley close and whispers while the mink caresses the
sable's thigh. On the table are gold discs with dragon heads stamped
on them.
NADIA MERCY
A simple errand then, one time. Come to
my room after...
SHIRLEY
I'll consider your offer.
NADIA MERCY
gold dragoons.
PANEL 6
INT. DUFFY'S OFFICE - CLOSE SHOT - CANDLE LIT
Duffy is sprawled in an oak swivel chair screwing Shirley from behind
and groping her tits. Shirley looks bored.
DUFFY
You is da best. So soft and mooshy.
SHIRLEY
(thinks)
Get off already! Wonder what the mink
wants besides a girl/girl version of
this.
PAGE 5
PANEL 1
INT DUFFY'S TAVERN BEST GUEST ROOM - CLOSE SHOT -
CANDLE LIT
Shirley lies naked on Nadia's velvet covered bed. Candles seem to be
everywhere. A large trunk sits open by the bed. Nadia also nude is
over Shirley messaging the sable's crotch. Both looks slick and damp
(Spooge? Saliva? Oils?)
NADIA MERCY
So you deliver note - get package -
return here - get paid. Simple?
SHIRLEY
Keep doing that please. Too simple.
What's the catch?
NADIA MERCY
Nothing you need fear. A bad furr is on
my trail. Not yours! If I went he would
be alerted but if you go, is no
problem.
PANEL 2
EXT. SOUTH BASTON - BACK STREET IN FRONT OF THE
WHITE RAVEN - MEDIUM SHOT- EVENING
Shirley dressed in the same clothes Nadia wore enters a seedy saloon.
PANEL 3
INT. SOUTH BASTON - WHITE RAVEN - MEDIUM SHOT-
GASLAMPS
Shirley sits at a table with an old potto POMP. Shirley looks around
suspiciously. The waitresses are topless.
POMP
Ok you're legit. The items up stairs
we'll go get it together.
SHIRLEY
Ok....you first.
POMP
Oh no, lady's first Always.
PANEL 4
INT. WHITE RAVEN UPSTAIRS - MEDIUM SHOT- GASLAMPS
Pomp and Shirley are on one side of a closed door on the other are
two lemurs with blackjacks and ropes.
PANEL 5
INT. WHITE RAVEN UPSTAIRS - WIDE SHOT - GASLAMPS
The Lemurs hold and bind up Shirley and face Pomp. One lemur with an
eyepatch REARDON has a knife behind his back.
POMP
Ok I delivered the mink as promised.
Where's my nephew Harry.
REARDON
Oh the little wizard. He escaped two
days ago. We have a different pay-off
for you.
SHIRLEY
I'm not the mink.
PANEL 6
INT. WHITE RAVEN UPSTAIRS - CLOSE-UP - GASLAMPS
Shirley starts to turn into a full sable.
REARDON
No you don't.
PANEL 7 (INSET)
SHIRLEY'S HEAD - CLOSE UP
A blackjack comes down on Shirley's head.
PANEL 8
INT. WHITE RAVEN UPSTAIRS - MEDUIM SHOT - GASLAMPS
Reardon and the other lemur carry the unconscious sable out of the
room. Pomp on the floor with a dagger in his chest stays behind.
PAGE 6
PANEL 1
EXT. OLD MILL - WIDE SHOT- FULL MOON -NIGHT
An abandoned partially burnt out windmill stands on a windswept hill
in the moonlight. The highest window is dimly lit.
REARDON (O.S.)
...The real mink will join us shortly.
The package...
PANEL 2
INT. OLD MILL TOP FLOOR - NIGHT
Shirley hangs naked by her arms from an overhead rafter. Reardon
holds a dagger under her muzzle with his fore arm between her
breasts. Fumes are wafting from her body.
REARDON
...was a mere fabrication. There's is
no magic talisman that will give one
side of the Haven/Hel war advantage.
SHIRLEY
What's in it for ...
REARDON
We of Dusa only wish to keep the war
going so they will not look elsewhere
for conquest.
PANEL 3
NARRATION PANEL WITH REARDON'S HEAD
REARDON (V.O.)
By making the Hordes and Hosts each
assume the other killed the mink and
stole this mythic artifact, they will
renew hostilities post haste.
PANEL 4
POPE DILLARD (A DALMATION) HOLDING A PARCHMENT
Shot: cloudy border (fantasy)
DILLARD
They have the damned charm. We must
attack before they learn to use it
PANEL 5
GENERAL AHYRRAD-TEE-NEOW (TIGER) HOLDING A
PARCHMENT
Shot: cloudy border (fantasy)
AHYRRAD
They have the blessed charm. We must
attack before they learn to use it.
PANEL 6
INT. OLD MILL TOP FLOOR - NIGHT
Shirley is still hung up but now Reardon is getting undressed.
SHIRLEY
(thinks)
...can't go weasel my front legs would
dislocate. At least he put the knife
down. My magick is working.
REARDON
I'm up for some fun, while we wait.
SHIRLEY
Wait? Oh you've got a ring through your
wee taddy.
REARDON
Fun for me not you. Look closer.
SHIRLEY
IT'S A FISH HOOK!
PANEL 7
INT. OLD MILL TOP FLOOR NEAR WINDOW - NIGHT
Shirley is now tied to two beams that make an X and Reardon is
screwing her roughly from the front. Shirley has her head tilted to
the side near Reardon's neck.
SHIRLEY
(thinks)
He's ripping my insides out! If I can't
stop him... Just a bit closer...
REARDON
Bring your head back up I want to see
the fear as I...
PANEL 8 (INSET)
SHIRLEY'S MOUTH AND REARDON'S NECK - CLOSE UP
Shirley clamps her sharp little fangs on Reardon's windpipe.
PAGE 7
PANEL 1
INT. OLD MILL - LANDING AT TOP OF LONG STAIRCASE
BIRD'S EYE VIEW - NIGHT
Shirley lies at the top landing wearing Reardon's shirt. One flight
down Nadia slumps near a lantern with a dagger in her shoulder. At
ground level two lemurs sprawl limply most likely dead.
NADIA MERCY
Got them both but one got me.
SHIRLEY
I'll be right down. We gotta leave.
PANEL 2
INT. OLD MILL - SECOND LANDING FROM TOP - MEDIUM
SHOT
Nadia holds a dagger blade to Shirley's neck and fails to notice that
she (Nadia) has knocked over the lantern and her dress is on fire.
NADIA MERCY
You are brave, smart girl. To bad they
must find a dead mink here for my
retirement to work out.
SHIRLEY
You planned this?
NADIA MERCY
Almost. Did not plan to be caught at
tavern.
SHIRLEY
SNIFF? What's burning?
PANEL 3
EXT. OLD MILL - WIDE ANGLE - NIGHT
A weasel and a lemur run in opposite directions from a burning
windmill.
PANEL 4
INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- DAY
Shirley leans on a table, still wearing Reardon's shirt and trailing
blood. The hall is wrecked furniture broken or upturned everywhere.
SHIRLEY
DUFFY! I think it's time for me to find
a new job.
MOHRYRT (O.S.)
So the mink still lives...
PANEL 5
INT. DUFFY'S TAVERN HALL LEADING TO REAR - MEDUIM
SHOT- DAY
Mohryrt a tiger in Roman Centurion dress holds Nadia's trunk on one
massive shoulder. Shirley looks dazed.
SHIRLEY
Are you going to try to kill me too?
MOHRYRT
Lady Mercy? I come like ya asked to
take you to my dad, the general's,
camp. Wasn't nobody here so I got ya
bag and waited.
PANEL 6
EXT. EAST BOUND ROAD - CLOSE SHOT- DAY
Shirley sits limply on the floor of a chariot looking up. Mohryrt's
driving. Four black Horsemen pull it along. Mohryrt sniffs the air.
MOHRYRT
SNIFF! Do you smell blood?
SHIRLEY
(thinks)
He's not wearing undies and seems
aroused. By blood? I think I'll take a
little nappy...ZZZZZ
PAGE 9
PANEL 1
EXT. ENCAMPMENT OF THE HORDES OF HEL - MEDIUM SHOT-
DAY
Mohryrt carries a very limp Shirley towards a big tent with a red
cross on the side and a stove pipe out the top. Two preteen
tigresses, RIPPER and LORRHYT carry Nadia's trunk between them. The
ground is muddy and there are tents in all directions. Lorry wears
slippers from Arabian Nights and Ripper dark boots too big for her.
LORRHYT
Morry if she dies can I have her stuff.
Dresses jewelry...
RIPPER
Hold up your end pussy-fart. She got
any spy gear?
MOHRYRT
Kalam will fix her up. I didn't look in
the trunk.
PANEL 2
INT. ENCAMPMENT OF THE HORDES OF HEL MESS AND M. A.
S. H. TENT- MEDIUM SHOT- TORCH LIT
Shirley heavily bandaged, eye's half closed lies on a cot on her
belly. KALAM a naked cheetah has her hand deep between Shirley's
legs.
SHIRLEY
(weakly)
I say Madame! I usually expect at least
diner before I allow such liberties.
KALAM
Remain immotile. This philtre I'm
applying will ameliorate your injuries.
SHIRLEY
Last I recall I was looking up
Mohryrt's dress...
KALAM
Chuckle. Don't designate it as such to
him. That was a week hence.
PANEL 3
INT. ENCAMPMENT OF THE HORDES - MESS TENT- MEDIUM
SHOT- DAY
Shirley with less bandages sits up on her cot. Ripper and Lorry sit
on the trunk. Ripper examines a jeweled dagger and Lorry a fancy
necklace. Morry and Kalam make out in a corner.
RIPPER
You ever kill anyone with this?
SHIRLEY
With that one? No.
LORRHYT
What did you have to do for this?
SHIRLEY
Kiss a warthog.
RIPPER AND LORRHYT
Ooo. Icky.
PANEL 4
EXT. ENCAMPMENT OF THE HORDES MESS TENT- MEDIUM
SHOT- MOON LIGHT
Shirley sits on a folding chair outside one foot rest on a scrap of
parchment. A black lab sprawls next to her on the ground and talks
out of one corner of his mouth.
BLACK LAB
There under you foot orders from da
Pope. Eat it after you read it.
SHIRLEY (T.B.)
(thinks)
Nadia Mercy you triple crossing weasel!
PANEL 5
THE NOTE.
You failed once. Don't this time. My brother Denny will contact you
in Lynden, with your new orders, at the Red Cockerel.
D.
PANEL 6
INT. GENERAL AHYRRAD'S TENT - TORCH LIT
Mohryrt stands at attention in front of his father's desk. Ahyrrad
stands on the other side holding a ridding crop. Shirley all healed,
is doing push-ups in the nude on the desk.
MOHRYRT
...asking about what kind of leader you
are and sowing dissent in the ranks.
Can't figure if he's a cat or a dog.
AHYRRAD
Bring him here then und I'll deal mit
im. Mink I did not say you could be
stopping.
SFX -THWACK!
SHIRLEY
Ya vole hair gheneral!
AHYRRAD
No. Stop und ghet une der the desk. And
listen.
PAGE 10
PANEL 1
INT. GENERAL AHYRRAD'S TENT - TORCH LIT
Shot: Ahyrrad from the back. Shirley under the desk. Moldred facing
forward.
MOLDRED
...So if you will only come to Safe
Harbor for a peace conference...
AHYRRAD
A peace conference?
MOLDRED
King Phillip and Pope Dillard
are already there.
AHYRRAD
Und iffen Ich do not?
PANEL 2
MOLDERED'S HEAD IN CORNER OF NARRATION PANEL
MOLDRED
(using magick enhanced VOICE)
The evenly matched forces will decimate
each other. Your son will choke on his
own blood and your young
daughters...that is better not
mentioned
PANEL 3
EXT. BATTLEFIELD AFTER BATTLE - BIRDS EYE VIEW -
OVERCAST DAY
Shot: cloudy border (fantasy)
A vast blasted heath covered by the dead and dying. Some in mostly
white Scottish tartans. Some in Roman tunics and Centurion garb.
Broken swords, spears and other low-tech weapons, litter the ground.
Ahyrrad bandaged and on crutches wrings his hands as he looks down at
Lorry and Rippers bodies hidden by a boulder. Only their feet show.
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SHIRLEY